tag:blogger.com,1999:blog-320421722012-01-24T00:25:50.505+07:00Digital Music Blog | Free Music Download | Mp3 Direct Links. Country Music, Rock Music, Free Mp3 Download, Full Album Download, Album Review, Pop Music, Singles, EPblazehttp://www.blogger.com/profile/12312846770707177634noreply@blogger.comBlogger8431100tag:blogger.com,1999:blog-32042172.post-12182447236116569902007-08-24T10:09:00.000+07:002007-08-24T10:29:48.754+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Typically, artists dispense with introductions after their debut -- after all, that is an album designed to introduce them to the world -- but neo-soul singer Joss Stone defiantly titled her third album Introducing Joss Stone, thereby dismissing her first two relatively acclaimed albums with one smooth stroke. She now claims that those

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-76498396473440647792007-08-23T10:28:00.000+07:002007-08-23T10:41:28.614+07:00

Review by Corey Apar @ allmusic.com Bullet for My Valentine hails from the same stomping grounds in South Wales as peers Funeral for a Friend, thus sparking comparisons between the Welsh acts that go further than a fondness for dark, morose band names. It's hard to deny a certain likeness to their Funeral friends throughout The Poison -- check out the dynamics of "Suffocating Under Words

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Review by Kenyon Hopkin @ allmusic.com Jeff Hanson's debut showed a singer/songwriter with signs of more talent to come, and his self-titled follow-up proves that he's simply no one-off curiosity. Jeff Hanson is a second outing of soft, endearing rock, continuously wrapped around lyrics that imply lost relationships and soul-searching. While that in itself doesn't sound like something new,

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-14844802299043026622007-08-22T10:34:00.000+07:002007-08-22T10:46:19.581+07:00

Review by Stephen Thomas Erlewine @ allmusic.com I don't suspect that even Kid Rock believed he had an album as good as Devil Without a Cause in him. Nobody else believed it, that's for sure. But he didn't just find the perfect extention of his Beastie and Diamond Dave infatuations here, he came up with the great hard rock album of the late '90s -- a fearlessly funny, bone-crunching record

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-66086426241117606952007-08-22T10:10:00.000+07:002007-08-22T10:33:37.998+07:00

Review by Johnny Loftus @ allmusic.com On We Are Not Alone, Breaking Benjamin's sophomore effort for Hollywood, the Philadelphia quartet still enjoys coursing the downcast dynamics and dour cerebrals of early Tool through post-grunge's more accessible melodics. Vocalist/guitarist Ben Burnley channels Maynard James Keenan throughout "So Cold" and "Simple Design," and fills their shadows

riefky w. el huraibinoreply@blogger.com2tag:blogger.com,1999:blog-32042172.post-47095171776077616472007-08-22T10:03:00.001+07:002007-08-22T10:10:42.899+07:00

Review by Johnny Loftus @ allmusic.com "I guess you wanna see the look on my face when you smash it," Randy mouthpiece Stefan Granberg sneers on "A Man in Uniform." The Modern Lovers/Ramones-style singalong is only one of the high points on the Swedish quartet's seventh full-length, Welfare Problems, an album that finds Randy's ideology undiluted by the addition of buzzing guitar hooks and

riefky w. el huraibinoreply@blogger.com2tag:blogger.com,1999:blog-32042172.post-7818324322158277142007-08-21T10:16:00.000+07:002007-08-21T10:25:44.051+07:00

Review by James Christopher Monger @ allmusic.com Composer John Powell elevates the tension he so dutifully created on 2004's Bourne Supremacy soundtrack for the third (and final?) chapter in the big screen adaptation of author Robert Ludlum's internationally lauded Jason Bourne series The Bourne Ultimatum. All of the deft melding of taut electronics and explosive orchestral release that

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-37011167344886152952007-08-21T09:24:00.000+07:002007-08-21T10:16:19.918+07:00

Review by Johnny Loftus @ allmusic.com In 2000, 3 Doors Down's debut The Better Life and its omnipresent single "Kryptonite" authoritatively established the Escatawpa, MS band as rock stars in the vein of fellow New Arena rockers Creed. After extensive touring and over 6 million albums sold, it might have been difficult for the band to focus on their sophomore release. But vocalist Brad

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-24376040196376322602007-08-21T08:10:00.000+07:002007-08-21T08:25:21.474+07:00

Review by MacKenzie Wilson @ allmusic.com Destination: Beautiful is an earnest and honest expression from the New England five-piece Mae. Honed on classics of the 1980s (the Police, Depeche Mode, U2), Mae's confidence soars throughout the entire 11-song track listing, going for large soundscapes of layered guitars and rolling percussion. They're a bit too brash to be exclusively pop, but

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-80339013556380321732007-08-13T13:09:00.000+07:002007-08-13T13:22:18.092+07:00

Sorry, No review available... Track Lists 01. Justify 02. Desperate Religion 03. Regenade 04. Beautiful Worlds 05. Stars Come Out 06. Feel Alive 07. Made Of Glass 08. Alcarda 09. These Days 10. Better Give Up 11. Some Things Just Are The Way They Are 12. The Chosen Ones 13. Searching For Satellite 14. Fahrenheit 451 15. Trilogy (The Final Chapter) 16. A Rainy Afternoon 17. No Fate 18. One

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-21850563272307977092007-08-09T10:16:00.000+07:002007-08-09T10:31:55.352+07:00

Sorry, No review available.. Track Lists 01. 409 In Your Coffe Maker 02. Welcome To Paradise 03. 2000 Light Years 04. The Judges Daughter 05. Christy Road 06. Only Of You 07. Who Wrote Holden Caufield 08. Going To Pasalacqua 09. Paper Lanterns 10. One Of My Lies 11. Country Hoedown aka. Dominated Love Slave 12. F.O.D 13. Words I Might Have Ate 14. Chump (Live) 15. Longview (Live) 16.

riefky w. el huraibinoreply@blogger.com3tag:blogger.com,1999:blog-32042172.post-89657841354134959882007-08-09T10:05:00.000+07:002007-08-09T10:16:26.542+07:00

Sorry, No review available.. Track Lists 01. Swagger 02. Every Dog Has His Day 03. Selfish Man 04. Never Met A Girl Like You Before 05. Laura 06. If I Ever Leave This World Alive 07. Black Friday Rule 08. What Made Milwaukee Famous 09. Between A Man And A Woman 10. Delilah

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-33427642667958946982007-08-09T09:39:00.000+07:002007-08-09T10:04:55.555+07:00

Review by Johnny Loftus @ allmusic.com Arizona punks Authority Zero return with their second Lava/Atlantic release, and it's a good one. Rather than pretending they're post-everything or pop-something, Andiamo basks Authority's West Coast soul in the dry desert sunlight, stripping tracks like "Painted Windows" and "Revolution" to their Bad Religion and Green Day roots while spicing others

riefky w. el huraibinoreply@blogger.com4tag:blogger.com,1999:blog-32042172.post-34420096419107198742007-08-09T09:26:00.000+07:002007-08-09T09:39:15.527+07:00

Review by Stephen Thomas Erlewine @ allmusic.com What does the Next Big Thing do in the age of the Internet, when their debut is praised beyond reason upon its release, but by the time they release their second album a year later, they've already faded from memory, replaced by a new sensation that truly did have some buzz on the internets? That's the question facing the Magic Numbers and

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-21733296881320075012007-08-09T09:22:00.000+07:002007-08-09T09:26:23.065+07:00

Review by Heather Phares @ allmusic.com From the post-post-punk of their early EPs to Silent Alarm's sprawl of sounds and ideas, Bloc Party has never shied away from reinventing their music. They continue to evolve on A Weekend in the City, an unashamedly ambitious, emotional album that builds on where they've been before but still feels like a departure. Silent Alarm's eclecticism was one

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-32838781543547726702007-08-04T10:30:00.000+07:002007-08-04T10:36:45.661+07:00

Sorry, No review available.. Track Lists 01. Wait For Cry 02. Memory Loves You 03. Broken Sunny Day 04. I Got Yours 05. Sorrow 06. How Different 07. Love On My Mind 08. Travelling 09. Now You Know 10. Shades

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-25109209441967311532007-08-04T10:26:00.001+07:002007-08-04T10:28:31.219+07:00

Review by Marisa Brown @ allmusic.com When Leslie Feist released her breakthrough Let It Die, almost instantly she became an indie icon. Her pretty, sometimes melancholic love songs, her clear, campfire voice, and her vaguely jazz- and disco-influenced arrangements (highlighted no better than with her cover of the Bee Gees' "Inside and Out"), and her association with darlings Broken Social

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-46530913041869085922007-08-04T10:14:00.001+07:002007-08-04T10:16:42.288+07:00

Review by Stephen Thomas Erlewine @ allmusic.com It's a bit tempting to peg Green Day's sprawling, ambitious, brilliant seventh album, American Idiot, as their version of a Who album, the next logical step forward from the Kinks-inspired popcraft of their underrated 2000 effort, Warning, but things aren't quite that simple. American Idiot is an unapologetic, unabashed rock opera, a form

riefky w. el huraibinoreply@blogger.com3tag:blogger.com,1999:blog-32042172.post-80769846304589713842007-08-04T09:58:00.000+07:002007-08-04T10:03:08.656+07:00

Review by Heather Phares @ allmusic.com Once again finding harmony and creating alchemy between seeming opposites, on Volta Björk is bold but thoughtful, delicate yet strong, accessible and avant. The intricacy and complexity of projects like Medúlla and Drawing Restraint 9 suggested that she might have left the more direct side of her work behind, but Volta's opening track and lead single,

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-14574521899706159012007-08-04T09:24:00.000+07:002007-08-04T09:48:28.258+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Chris Cornell's first solo album, Euphoria Morning, was released just after Cornell had shaken the shackles of Soundgarden and he was making a definitive break from their heavy heavy sound by indulging in bucolic singer/songwriter clichés. It went nowhere commercially but led him toward Audioslave, where he spent three albums pushing and

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-66040183253385331472007-08-01T09:35:00.000+07:002007-08-01T09:42:23.966+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Ever since their eponymous 2000 debut there has been more pop than country in Rascal Flatts' contemporary country-pop, but with each subsequent record the trio has been drifting slowly, steadily toward outright adult pop, which is where they arrive on their fourth album, 2006's Me and My Gang. Discounting the steel guitar that's used

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-39548143590438713162007-08-01T09:21:00.000+07:002007-08-01T09:32:59.656+07:00

Review by Andy Kellman@ allmusic.com Fabolous' new label, Def Jam, rolls out a wide red carpet for From Nothin' to Somethin', enlisting a great deal of starpower to bolster its new artist's fourth album. Akon, Rihanna, Jay-Z, Lloyd, Junior Reid, and even Ne-Yo (on a track produced by Timbaland) make appearances, while there is room made for past collaborators like Just Blaze, Swizz Beatz,

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-87520864500804258822007-08-01T08:59:00.000+07:002007-08-01T09:21:22.384+07:00

Review by Andy Kellman @ allmusic.com In My Own Words, released in early 2006, was a major success for Ne-Yo. It was a number one album supported by two Top Ten singles and a third that peaked in the Top 20. As it kept gathering steam, the singer/songwriter/producer shrewdly continued to write for others: Rihanna's Top Ten "Unfaithful" and Beyoncé's number one "Irreplaceable" kept his

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-91238167483730426692007-08-01T08:51:00.000+07:002007-08-01T08:59:32.063+07:00

Review by John Bush @ allmusic.com From the beginning, Jimmy LaValle's Album Leaf project was one of the calmest acts in indie rock. Into the Blue Again proves, as its 2004 predecessor did as well, that the Album Leaf is also becoming one of the tamest acts in indie rock. LaValle is a musical craftsman, and his productions are thoughtful, economical and warm (most of the record was

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-83030313337501530552007-08-01T08:41:00.000+07:002007-08-01T08:51:34.405+07:00

Review by Greg Prato @ allmusic.com Although Jane's Addiction's 1987 self-titled debut was an intriguing release (few alternative bands at the time had the courage to mix modern rock, prog rock, and heavy metal together), it paled in comparison to their now classic major-label release one year later, Nothing's Shocking. Produced by Dave Jerden and Jane's Addiction vocalist Perry Farrell,

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-74401994557984950222007-08-01T08:03:00.000+07:002007-08-01T08:26:12.471+07:00

Review by Heather Phares @ allmusic.com Despite a three-year wait, Ladytron sounds fresher and more vital than ever on their triumphant third album, Witching Hour. While the label problems that sidelined the album's release must have been frustrating, in some ways the delay works in the band's favor: though they were momentarily (and somewhat opportunistically) lumped in with the

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-71555648232476187822007-08-01T03:19:00.000+07:002007-07-31T10:21:23.586+07:00

Review by Andy Kellman @ allmusic.com When you've released a pair of albums containing a few monster singles and a considerable amount of unsteady, unassured material, why mess around the third time out? From beginning to end, Good Girl Gone Bad is as pop as pop gets in 2007, each one of its 12 songs a potential hit in some territory. Unlike Music of the Sun or A Girl Like Me, neither

riefky w. el huraibinoreply@blogger.com2tag:blogger.com,1999:blog-32042172.post-44398358479612110192007-08-01T01:48:00.000+07:002007-07-31T09:38:18.637+07:00

Review by Stephen Thomas Erlewine @ allmusic.com How do you know that former blink-182 leader Tom DeLonge intends for his post-blink project Angels and Airwaves to be taken seriously? Because throughout their debut album, We Don't Need to Whisper, he relies on sounds and textures borrowed from 1988, the era when college rock was filled with atmospheric sonics and earnest politics.

riefky w. el huraibinoreply@blogger.com2tag:blogger.com,1999:blog-32042172.post-74167311743329343232007-08-01T01:41:00.000+07:002007-07-31T08:48:21.695+07:00

Review by Mark Deming @ allmusic.com Originally released in 1973 as a sprawling two-LP set, The Payback was one of James Brown's most ambitious albums of the 1970's, and also one of his best, with Brown and his band (which in 1974 still included Fred Wesley, Maceo Parker, St. Clair Pinckney, Jimmy Nolen and Jabo Starks) relentlessly exploring the outer possibilities of the James Brown

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-32506508190180401212007-08-01T01:15:00.000+07:002007-07-31T08:31:26.030+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Yo! Bum Rush the Show was an invigorating record, but it looks like child's play compared to its monumental sequel, It Takes a Nation of Millions to Hold Us Back, a record that rewrote the rules of what hip-hop could do. That's not to say the album is without precedent, since what's particularly ingenious about the album is how it

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-11742008061130356332007-08-01T01:00:00.000+07:002007-08-22T11:01:55.067+07:00

Index Of/ razgriz-aces.blogspot.com on August 2007 [1998] Kid Rock - Devil Without A Cause (m4a Download) [2004] Breaking Benjamin - We Are Not Alone (Mp3 Download) [2003] Randy - Welfare Problem (Mp3 Download) [2007] John Powell - The Bourne Ultimatum [Soundtrack] (Mp3 Download) [2002] 3 Doors Down - Away From The Sun (Mp3 Download) [2005] Weezer - Make Believe (Mp3 Download) [2003] Mae -

riefky w. el huraibinoreply@blogger.comtag:blogger.com,1999:blog-32042172.post-45451322359524055192007-07-27T13:37:00.000+07:002007-07-27T13:38:45.055+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Vanessa Carlton probably couldn't have happened without Alicia Keys, but that doesn't mean they sound the same. Both artists are preternaturally talented and write on keyboards, sounding much older than their years. The difference is, Carlton pretty much revels in her advanced years, creating a record that recalls the lush ambition of Keys,

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-32052854820125469122007-07-27T12:52:00.000+07:002007-07-27T13:06:19.516+07:00

Review by Johnny Loftus @ allmusic.com Howie Day's debut certainly showed promise, especially in the understated heartbreak of "Ghost" and "Morning After." But even in its eventual Sony reissue, Australia was a slapdash, often obvious album that rang with the stubbornness of youth. In his songs of relationships and loneliness, Day was too often the spurned boyfriend rewriting Radiohead and

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-4156466906478705262007-07-25T10:37:00.000+07:002007-07-25T10:47:44.941+07:00

Review by Tammy La Gorce @ allmusic.com The five members of the British band Fields couldn't have planned it this way, but in a single ten-track album, they manage to evoke all of the following bands/artists (and in no particular order): My Bloody Valentine, Fleetwood Mac, Genesis, Radiohead, Crosby, Stills & Nash, Nick Drake, and Cocteau Twins. That may be a potent cocktail of influences,

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-16181005922481716742007-07-25T10:36:00.000+07:002007-07-25T10:37:34.841+07:00

Sorry, No review available.. Track Lists 01. Lady Lazy 02. Be Alive 03. One Sound Bite To React 04. Fatherfuckers 05. Never Change 06. Beds Are Burning 07. Salvation 08. Joke 09. Be My Guest 10. Lock Up 11. She Drives Me Crazy 12. Let's Roll

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-38338726214808790442007-07-25T09:41:00.000+07:002007-07-25T09:50:53.182+07:00

Sorry, No review available... Track Lists 01. Poison 02. 7 Years And 50 Days (Radio Edit) 03. Remember 04. Runaway 05. I Need You Vs. I Need You 06. The End 07. Force Of Nature 08. When Life 09. Home 10. 7 Years And 50 Days (Album Version) 11. Can't Get Over You 12. The End (Special D. Remix) 13. Not Available 14. Question Mark

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-29423642003214195632007-07-25T08:20:00.000+07:002007-07-25T09:04:17.419+07:00

Review by Thom Jurek @ allmusic.com Six years in the pop music world is a long time. In fact, for many artists, it's a lifetime or two. Suzanne Vega has been away from recording for a long time, but it isn't because she hasn't been working. She is the subject of Some Journey, a documentary film by Christopher Seufert; in addition, she hosted a memorial concert for her late brother, artist

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-69170631171571679952007-07-25T08:19:00.000+07:002007-07-25T08:19:29.029+07:00

Sorry, No review available... Track Lists 01. Pioneer To The Falls 02. No I in Threesome 03. Scale 04. Heinrich Maneuver 05. Mammoth 06. Pace Is The Trick 07. All Fired Up 08. Rest My Chemistry 09. Who Do You Think? 10. Wrecking Ball 11. Lighthouse

riefky w. el huraibinoreply@blogger.com7tag:blogger.com,1999:blog-32042172.post-19611401149332166552007-07-08T00:37:00.000+07:002007-07-08T00:41:48.008+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Serious country fans know that "Lost Highway" is a Leon Payne-written Hank Williams classic, but even though Bon Jovi's 2007 album shamelessly trades on iconographic country imagery in a bid for a genre-skipping crossover hit, it's designed for those country fans who don't much care about Hank's legend (never mind knowing anything about Leon

riefky w. el huraibinoreply@blogger.com2tag:blogger.com,1999:blog-32042172.post-81424837471129690812007-07-03T00:44:00.000+07:002007-07-03T00:50:02.949+07:00

Review by John Bush @ allmusic.com When the Norwegian production duo Röyksopp dropped their first album, Melody A.M., it sounded as though they were on a stopover from another planet. Otherworldly samples and a crisp production sense combined to make the singles "Eple" and "Sparks" perfect examples of the downbeat form and near-ubiquitous inclusions on chillout compilations. As electronica

riefky w. el huraibinoreply@blogger.com2tag:blogger.com,1999:blog-32042172.post-26001404020997131932007-07-03T00:36:00.000+07:002007-07-03T00:44:02.832+07:00

Review by Marisa Brown @ allmusic.com Having a top rap song on the Billboard charts in 2007 is not exactly an unusual accomplishment. Commendable, yes, but a hit single does not mean that the full-length record will be met with much success, nor necessarily should it be. Fortunately for New York (specifically, 164th Street in Manhattan's Washington Heights neighborhood) MC MIMS follows up

riefky w. el huraibinoreply@blogger.com4tag:blogger.com,1999:blog-32042172.post-76019630265955514722007-07-03T00:30:00.000+07:002007-07-03T00:36:35.817+07:00

Review by David Jeffries @ allmusic.com With an overabundance of ballads and swagger, cool crooner Lloyd's second effort is just too narrow to recommend to the casual fan of smooth, pillow-talk R&B. The redundant songs start rearing their heads about track number four, with tales of heartache, seduction, and sweetness repeated as if every day were Valentine's Day. On the other hand, Street

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-84091574315418869942007-07-03T00:21:00.000+07:002007-07-03T00:30:46.143+07:00

Sorry, No Review available.. Track Lists Disc 1: 01. Invade My Space 02. Rollin' 03. Ram Part Division 04. Say it To My Face 05. The Donnell Rawlings Show 06. Scandalous Bitch 07. Concentrate 08. On Bail 09. Family Values 10. Black And Brown 11. The Whole World 12. Poppin Off 13. Movin In Your Chucks 14. Thankk You Disc 2: 01. Concentrate (San Quinn Remix) 02. Rollin (West Side Remix) 03.

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-29441837906928100732007-07-03T00:12:00.000+07:002007-07-03T00:20:48.298+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Maroon 5's 2002 debut album, Songs About Jane, was the kind of hit that doesn't happen often in the new millennium -- a genuine word-of-mouth hit whose popularity grew steadily after its release, largely due to the sweet, sunny hit "This Love," a song sly and catchy enough to stay on the adult pop charts for years without wearing out its

riefky w. el huraibinoreply@blogger.com3tag:blogger.com,1999:blog-32042172.post-72189326201747972962007-07-03T00:04:00.000+07:002007-07-03T00:12:06.123+07:00

Review by David Jeffries @ allmusic.com Pre-release hubbub might have you thinking Kasabian's debut is the Stone Roses' firstborn all over again, or that it's a Screamadelica for its generation. Almost, but these lads could use one more spin around the U.K.'s hippest clubs to really polish their craft to Madchester-in-its-prime level. What their debut succeeds in providing is

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-11529912649392695142007-07-02T23:57:00.000+07:002007-07-03T00:04:06.515+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Everything that made Chris Daughtry insufferable as a contestant on American Idol -- his utter lack of humor, his oppressive earnestness, his desire to sing every song in the same gut-wrenching fashion, a style that only suited the post-grunge brooding that is his chosen specialty -- work for him on his post-Idol debut album, Daughtry.

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-81899484481307705592007-07-02T23:50:00.000+07:002007-07-02T23:57:32.860+07:00

Review by John Bush @ allmusic.com The story of Back to Black is one in which celebrity and the potential of commercial success threaten to ruin Amy Winehouse, since the same insouciance and playfulness that made her sound so special when she debuted could easily have been whitewashed right out of existence for this breakout record. (That fact may help to explain why fans were so scared by

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-34580787578160573602007-07-02T23:31:00.000+07:002007-07-02T23:39:39.162+07:00

Review by Jason Birchmeier @ allmusic.com Despite a three-year absence and diminished membership, Crime Mob returned fairly unchanged on their second album, Hated on Mostly. Their crunk style of rap remains chiefly indebted to Three 6 Mafia and is highlighted by some potent productions, most of them credited to group member Lil Jay. "Rock Yo Hips" is the clear-cut single, tailor-made for

riefky w. el huraibinoreply@blogger.com11tag:blogger.com,1999:blog-32042172.post-57341092578512408112007-07-01T00:52:00.000+07:002007-07-27T13:45:49.111+07:00

Index Of/ razgriz-aces.blogspot.com on July 2007 [2002] Vanessa Charlton - Be Not Nobody (Mp3 Download) [2003] Howie Day - Stop All The World Now (Mp3 Download) [2007] Fields - Everything Last Winter (Mp3 Download) [2006] Black Bomb A - One Sound Bite To React (wma Download) [2004] Groove Coverage - 7 Years And 50 Days (Mp3 Download) [2007] Suzanne Vega - Beauty And Crime (Mp3 Download) [2007

riefky w. el huraibinoreply@blogger.comtag:blogger.com,1999:blog-32042172.post-64297155083085091112007-06-29T03:20:00.000+07:002007-06-29T03:27:40.659+07:00

Review by Josh Modell @ allmusic.com Although this album is now credited to Neil Hamburger -- and it does feature the faux comedian's first appearance -- he appears on it only briefly, and in a slightly different incarnation, than he would on his "solo" albums. Great Phone Calls is, in fact, a series of intensely funny prank phone calls, supposedly made by Amarillo Records head Gregg

riefky w. el huraibinoreply@blogger.com2tag:blogger.com,1999:blog-32042172.post-81600854188418828712007-06-29T03:13:00.000+07:002007-06-29T03:20:08.834+07:00

Sorry, No review available.. Track Lists 01. Cross Da Line 02. On My Trail 03. U Like My Swagga 04. Work It 05. What'ca Gone Do 06. Snitch 07. Neva 4 Get Me 08. Hustler 09. On The Block 10. Kalifornia 11. Ride On'Em 12. Private 13. Someone 14. I Promise 15. Watch Out Now

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-45994688861770936532007-06-29T03:07:00.000+07:002007-06-29T03:13:02.782+07:00

Review by Andy Kellman @ allmusic.com Asa Breed furthers a seemingly happenstance shift to electronics-based indie pop that began on 2003's Leave Luck to Heaven and continued on 2004's Backstroke. Where the vocal tracks on those two albums sounded as if they began as instrumentals and just happened to benefit from lyrics and melodies thought up after the fact, there is an apparent

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-63972030793877236082007-06-29T02:53:00.000+07:002007-06-29T03:06:57.752+07:00

Review by Stephen Thomas Erlewine @ allmusic.com If any pop album of 2007 seemed like a sure thing it was Kelly Clarkson's third record, My December. Kelly definitively shook off the stigma of American Idol with her second album Breakaway and, in particular, its smash hit “Since U Been Gone,” an anthem so irresistible it was inescapable, beloved by teenage girls and hipsters alike (it even

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-57608246583717471422007-06-24T21:43:00.001+07:002007-06-24T21:43:16.153+07:00

Sorry, No review available... Track Lists 01. The Howling 02. What Have You Done 03. Frozen 04. Our Solemn Hour 05. The Heart Of Everything 06. Hand Of Sorrow 07. The Cross 08. Final Destination 09. All I Need 10. The Truth Beneath The Rose 11. Forgiven

riefky w. el huraibinoreply@blogger.com2tag:blogger.com,1999:blog-32042172.post-32490481256806196512007-06-24T21:37:00.001+07:002007-06-24T21:37:33.404+07:00

Sorry, No review available.. Track Lists 01. Attero Dominatus 02. Nuclear Attack 03. Rise Of Evil 04. In The Name Of God 05. Angels Calling 06. Back In Control 07. Light In The Black 08. Metal Crue

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-71345904170214536342007-06-24T21:24:00.001+07:002007-06-24T21:24:44.303+07:00

Sorry, No review available.. Track Lists 01. Not Going Away 02. I Don't Wanna Stop 03. Black Rain 04. Lay Your World On Me 05. The Almighty Dollar 06. Silver 07. Civilize The Universe 08. Here For You 09. Countdowns Begun 10. Trap Door

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-43143241770715166162007-06-24T21:01:00.000+07:002007-06-24T21:11:49.819+07:00

Sorry, No review available.. Track Lists 01. Love 02. After All 03. Just A Dream 04. Run For It 05. Truly 06. Serenity 07. Touched 08. Forever After 09. Fallen 10. Orbit 11. Magic

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-84663737719704816202007-06-24T20:57:00.000+07:002007-06-24T21:01:18.561+07:00

Review by Ned Raggett @ allmusic.com Starting an album with a clattering of industrial rhythms sliding into a huge clap-and-stompalong with angelic vocals and what sounds like the Brotherhood of Man on a vocal loop tip not far removed from Suicide or Laurie Anderson is one way to make a mark. The fact that Panda Bear, aka Noah Lennox himself, sings like Brian Wilson and produces his voice

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-32541140132695934072007-06-24T00:23:00.000+07:002007-06-24T00:31:05.005+07:00

Review by Thom Jurek @ allmusic.com While it's true that H.I.M. (His Infernal Majesty) have a slew of special editions, Europe-only releases, singles, EPs, Japan-only tracks, etc., they all have their perverse charm. Uneasy Listening, Vol. 1 is another such collection, but it's not a repackaging of one album or another. This is a bona fide rarities collection. It contains remixes, live

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-26649705138785922382007-06-24T00:21:00.000+07:002007-06-24T00:22:48.835+07:00

Sorry, No review available... Track Lists 01. Buried Alive by Love [616 Version] 02. Rendezvous With Anus [El Presidente Version] 03. Sigillum Diaboli 04. I Love You (Prelude To Tragedy 05. The Beginning Of the End 06. Again 07. Wicked Game 08. Soul On Fire 09. Beautiful 10. Endless Dark 11. Hand Of Doom 12. Right Here In My Arms 13. Sailin' On 14. Pretending

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-53283969141245730942007-06-23T23:55:00.000+07:002007-06-24T00:06:18.229+07:00

Sorry, No review available... Track Lists 01. Smokers Outside The Hospital Doors 02. An End Has A Start 03. The Weight Of The World 04. Bones 05. When Anger Shows 06. The Racing Rats 07. Put Your Head Towards The Air 08. Escape The Nest 09. Spiders 10. Well Worn Hand

riefky w. el huraibinoreply@blogger.com2tag:blogger.com,1999:blog-32042172.post-66197421690470040702007-06-21T07:13:00.000+07:002007-06-21T07:15:25.968+07:00

Review by Kenyon Hopkin @ allmusic.com With three records in just two years, John Vanderslice is already proving himself to be a prolific songwriter who can put together an admirable concept record. Like Time Travel Is Lonely, The Life and Death of an American Fourtracker tells a story of solitude and, ultimately, the downfall of its protagonist. A boy obsessed with producing home

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-80903845933939840902007-06-21T07:04:00.000+07:002007-06-21T07:05:27.894+07:00

Review by Ashleigh Kittle Slater @ allmusic.com In September 2003, pop/adult contemporary group Casting Crowns released their self-titled debut. After hearing one of their independent projects, Sawyer Brown's Mark Miller signed the band -- composed of members Mark Hall (lead vocals), Chris Huffman (bass), Melodee DeVevo (violin/vocals), Juan DeVevo (guitars/vocals), Andy Williams (drums),

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-26120543341388595982007-06-21T06:41:00.000+07:002007-06-21T06:49:59.246+07:00

Review by Stephen Thomas Erlewine @ allmusic.com It's been a long time since Marilyn Manson truly seemed like a transgressive force, but when you spend a lifetime crafting a persona as a rock & roll boogeyman, it's not only hard to shake that image, it's unlikely that you'd want to shake it. Manson has never shown any indication that he's wanted to change, which somehow came as a surprise

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-30575391932851457552007-06-21T06:40:00.000+07:002007-06-21T06:41:01.251+07:00

Sorry, no review available... Track Lists 01. Introspective 02. Any Given Time 03. Look Into My Eyes 04. Just Me 05. Kom Igen 06. Nothing Left To Do 07. Beyond Words 08. Words Stuck To Heart 09. Reggada 10. Callin' U 11. Sakeena 12. I've Seen 13. Una Palabra 14. I Only Ask Of God 15. Appreciatin'

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-78043134832004504482007-06-21T06:22:00.000+07:002007-06-21T06:31:14.220+07:00

Sorry, No review available... Track Lists 01. Intro 02. Rub Yer Daddy's Lucky Belly 03. He Done Run Outta Worms 04. Dead Dog Highway 05. Go-3-Go 06. Drunk Tired & Mean 07. Double Super Buzz 08. Ain't Hurtin' Nobody 09. Don't Remember Lovin' You Last Night 10. Zebra Lounge 11. 800 Miles 12. If You Want To Get To Heaven 13. Chicken Hi, Chicken Lo 14. Goddamn Right

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-14253871536545459642007-06-21T03:49:00.000+07:002007-06-21T06:33:13.996+07:00

Review by Corey Apar @ allmusic.com A funny thing happened to Fall Out Boy on the road to Infinity on High: they got famous. Before 2005's From Under the Cork Tree they were just another pop-punk unit from suburban Chicago happy to break even at shows with gas money. Next thing anyone knew, they were headlining arenas and being heralded as the new face of pop-punk alongside their peers in

riefky w. el huraibinoreply@blogger.com8tag:blogger.com,1999:blog-32042172.post-62435617684069128002007-06-20T23:27:00.000+07:002007-06-20T23:29:15.054+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Early in their career, Travis sounded like Oasis crossed with U2, and as the years rolled steadily on, they gradually replaced Oasis with Radiohead, without ditching that devotion U2. Travis may have cut out any of their overt rock influences, yet they retained the everyday, boys-next-door image that was so common in all the post-Britpop

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-65228538452132873932007-06-20T22:59:00.000+07:002007-06-20T23:11:05.456+07:00

Review by John D. Luerssen @ allmusic.com After moving away from their patented pop/punk approach on 2003's Two Lefts Don't Make a Right...But Three Do, spiritual rockers Relient K revert back to their proven formula of yore on MMHMM. Christian punk sounds more like an oxymoron than a subgenre, but frontman/ lyricist Matt Thiessen wins with the subtle, poppy prose ("Live your life for

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-20864029817816752512007-06-20T22:26:00.000+07:002007-06-20T22:42:52.513+07:00

Review by Tim Sendra @ allmusic.com Shout Out Louds' debut record, Howl Howl Gaff Gaff, is a blast of sparkling energy from start to finish and a contender for best out-of-the-blue debut of 2005. Coming from the angle of the pure pop sound of the '60s filtered through the indie pop of the '80s and '90s and the Beach Boys-worshiping chamber pop of the early 2000s, the Swedish quintet has

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-27061652048520633282007-06-18T03:41:00.000+07:002007-06-18T03:42:34.479+07:00

Sorry, No review available.. Track Lists 01. Screenface 02. Definition Power 03. Why 04. Burning Out 05. Synthesize Me 06. Protected World 07. 1000 Meter Waves 08. Sands 09. Exit The Grey 10. Kein Mord 11. No Tears 12. Blessed 13. Colder

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-49293030361210716392007-06-18T03:24:00.000+07:002007-06-18T03:35:40.172+07:00

Sorry, No review available... Track Lists 01. Prey 02. Allelujah 03. 5000 Years 04. The Killing Ground 05. Intruders 06. 99 To Life 07. Backslider

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-58876091011657899312007-06-18T03:02:00.000+07:002007-06-18T03:16:22.618+07:00

Review by Steve Huey @ allmusic.com Even though Master of Puppets didn't take as gigantic a leap forward as Ride the Lightning, it was the band's greatest achievement, hailed as a masterpiece by critics far outside heavy metal's core audience. It was also a substantial hit, reaching the Top 30 and selling three million copies despite absolutely nonexistent airplay. Instead of a radical

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-83394673391153288972007-06-18T02:57:00.000+07:002007-06-18T03:02:25.528+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Breathless praise is a time-honored tradition in British pop music, but even so, the whole brouhaha surrounding the 2006 debut of the Arctic Monkeys bordered on the absurd. It wasn't enough for the Arctic Monkeys to be the best new band of 2006; they had to be the saviors of rock & roll. Lead singer/songwriter Alex Turner had to be the best

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-20384725861886005212007-06-18T02:49:00.000+07:002007-06-18T02:53:29.390+07:00

Review by Heather Phares @ allmusic.com A lot changed in the White Stripes' world between Get Behind Me Satan and Icky Thump: Jack White left Detroit for Nashville, married and had a daughter, and formed the Raconteurs, a side project that won so much praise that some fans worried that it meant the end of the Stripes. Those fears were as unfounded as the speculation that White's new

riefky w. el huraibinoreply@blogger.com2tag:blogger.com,1999:blog-32042172.post-1681504014348186982007-06-15T05:46:00.000+07:002007-06-15T05:58:08.502+07:00

By Stephen Thomas Erlewine Josh Homme is a man of many talents, but he's not quite a man of his time. He floats outside of it, sniping and sneering at it, but he's not part of it -- he's too in love with rock & roll to belong to a decade that's seeing the music's slow decline. You could say that Queens of the Stone Age keep rock's flame burning, but unlike other new-millennium true

riefky w. el huraibinoreply@blogger.com2tag:blogger.com,1999:blog-32042172.post-6672668394754732802007-06-15T05:41:00.000+07:002007-06-15T05:45:56.735+07:00

Review by Corey Apar @ allmusic.com The musical collaboration of Heavens was born when Josiah Steinbrick (ex-F-Minus) played some instrumental tracks he had previously laid down to his housemate Matt Skiba (of Alkaline Trio fame). Excited by the music's potential, they began working together, the latter penning lyrics, and after fleshing everything out with producer Ben Lovett in the

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-5193448032918426572007-06-15T05:38:00.000+07:002007-06-15T05:40:52.327+07:00

Review by Greg Prato @ allmusic.com The longer a musical style remains popular, the more bands seem to latch onto its recognizable formula. In the late '90s and early 21st century, the mainstream suddenly decided that heavy metal was back in style again, and welcomed with open arms bands that merged extreme metal (as evidenced by death metal drumming and growled vocal verses), and melodic

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-15103986310318215382007-06-15T05:24:00.000+07:002007-06-15T05:32:52.995+07:00

Sorry, No review available... Track Lists 01. Hoist The Colours 02. Singapore 03. At Wit's End 04. Multiple Jacks 05. Up Is Down 06. I See Dead People In Boats 07. The Brethren Court 08. Parlay 09. Calypso 10. What Shall We Die For 11. I Don't Think Now Is Better Time 12. One 13. Drink Up Me Hearties If you failed to download from this page, go here and download it from the original page.

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-31682923577791634042007-06-15T05:07:00.000+07:002007-06-15T05:24:03.076+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Spider-Man has come a long way in five years. First time around, he was mired in modern-rock murk, following the punk-pop and neo-grunge trends of 2002, but now that he's on his third film, he's chosen to surround himself with the sensitive, mopey neo-indie rock that's in vogue in 2007. That may make him a savvy trend-chaser, yet it doesn't

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-4844170303325215822007-06-11T11:19:00.000+07:002007-06-11T11:19:19.623+07:00

hiedi2000 - hiedizbiz

hiedi2000http://www.blogger.com/profile/06616478080997467325noreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-44343897672768159422007-06-10T11:32:00.000+07:002007-06-10T11:37:09.988+07:00

Review by Stanton Swihart @ allmusic.com Whether to categorize Motion as a jazz or electronica album is an intriguing conundrum, because it truly turns out to be a combination of both musical forms, and it is an unequivocally brilliant combination, at that. British arranger/programmer J. Swinscoe -- who virtually is the Cinematic Orchestra -- gathered samples of drum grooves, basslines,

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-44819796966089684022007-06-10T11:26:00.000+07:002007-06-10T11:32:26.025+07:00

Review by John Bush @ allmusic.com With Every Day, Cinematic Orchestra move beyond the electro-jazz fusion of their debut to make a record more natural, more paced, and, surprisingly, better than the justly hyped Motion. J Swinscoe is more the arranger/conductor here than the producer, but of course, there's little need for samples or effects with such an accomplished band sharing the

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-10653569385370316152007-06-10T11:16:00.000+07:002007-06-10T11:26:16.741+07:00

Review by John Bush @ allmusic.com It was just a matter of time before the Cinematic Orchestra received a commission for a film score, but this 2003 release actually dates from 1999. The genesis of Man With a Movie Camera lies in the selection committee of a Portuguese film festival, which asked Cinematic Orchestra to score their re-airing of Dziga Vertov's 1929 film of the same name, a

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-7234412325056518812007-06-10T00:45:00.001+07:002007-06-10T00:45:25.099+07:00

Sorry, No review available.. Track Lists 01. Out To Sea 02. The Hit 03. Loser 04. Jesus Is The Manager Of Wal-Mart 05. The Freaks Are Coming 06. Morning Light 07. Adjustments 08. Here's To Another 09. Disease 10. Live Forever 11. Better Of Alone 12. Vultures

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-48873311977447884052007-06-10T00:28:00.000+07:002007-06-10T00:39:31.194+07:00

Review by Heather Phares @ allmusic.com The Trans-Siberian Orchestra's first non-holiday-themed album, Beethoven's Last Night, incorporates some of the composer's most noted pieces with original ones that peer into Beethoven's psyche. Pieces like "What Is Eternal," "What Good This Deafness," and "Last Illusion" update Beethoven's dramatic, portentous style, while "Requiem (the Fifth)" and

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-58507923143850510852007-06-10T00:26:00.000+07:002007-06-10T00:28:12.320+07:00

Review by Jason D. Taylor @ allmusic.com As an alternative/hard rock band, the defining point of one's career is signing to a major label. With that said, it makes it all the more surprising that just as Lifer had begun to create a buzz on mainstream radio, guitarist Aaron Fink and bassist Mark James Klepaski quit in order to join Breaking Benjamin. Whether they saw something special in

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-52140359465798100512007-06-10T00:09:00.000+07:002007-06-10T00:12:24.824+07:00

Review by Stephen Thomas Erlewine @ allmusic.com The best proof that Matchbox Twenty is not the Rob Thomas project? Their third album, More Than You Think You Are. If this was simply the work of Thomas, this album would likely be more like their very fine second album, a savvy mainstream pop record that casually displayed his songwriting skills and was casually eclectic. This? This sounds

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-28338854580242513822007-06-09T23:43:00.000+07:002007-06-09T23:45:58.416+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Atom Heart Mother, for all its glories, was an acquired taste, and Pink Floyd wisely decided to trim back its orchestral excesses for its follow-up, Meddle. Opening with a deliberately surging "One of These Days," Meddle spends most of its time with sonic textures and elongated compositions, most notably on its epic closer, "Echoes." If

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-57137998718429884742007-06-09T15:59:00.000+07:002007-06-09T16:03:34.393+07:00

Review by Thom Jurek @ allmusic.com The long wait is over. California's Saosin issued their debut EP Translating the Name in 2003. They already had a well-developed fan base for their unique, even enigmatic brand of post-hardcore screamo. The band, having undergone some personnel changes -- most notably singer Anthony Green's departure in 2004 and the enlisting of Cove Reber as his

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-14722216122354226202007-06-09T15:41:00.000+07:002007-06-09T15:43:48.395+07:00

Review by Jason D. Taylor @ allmusic.com Avenged Sevenfold has crafted a tremendous variation of metalcore, inflecting the traditional metal sound with outrageous bursts of hardcore fury and mesmerizing wails more likely found in the European vein of death metal. These elements together create an amazing but lethal crush on the listener, leaving one breathless after such feats. Sounding

riefky w. el huraibinoreply@blogger.com2tag:blogger.com,1999:blog-32042172.post-63252547773647873242007-06-09T15:34:00.000+07:002007-06-09T15:44:29.550+07:00

Review by Robert L. Doerschuk @ allmusic.com Mudrock's dry production focuses almost all of Waking the Fallen on Avenged Sevenfold's greatest strength. That, of course, would be performance, and the band delivers with unflagging aggression and precision. Never mind the lyrical ennui or throat-scrape yowling; there's more to this music than generic cliché. When he wants to, M. Shadows can

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-49331402141761897612007-06-09T15:29:00.000+07:002007-06-09T15:34:01.877+07:00

Review by Johnny Loftus @ allmusic.com Avenged Sevenfold's first two albums had a clear influence from heavy metal, but the California combo also freely incorporated emo, screamo, and post-hardcore elements. The mixing and matching meant 2003's Waking the Fallen had as many sighing harmonies as it did harmonized guitar freakouts. And yet City of Evil, the band's third record and Warner

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-39531730264830091892007-06-08T17:49:00.000+07:002007-06-08T18:00:06.359+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Ten studio albums into his career, Alan Jackson takes a bit of a breather with 2006's Precious Memories, his first ever gospel album. Not coincidentally, it's his quietest record to date, as hushed and reverent as a Sunday service, with each track boasting little more than a piano, acoustic guitar, harmony vocals, and maybe an organ. There

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-38950798076399154012007-06-08T17:37:00.000+07:002007-06-08T17:49:47.916+07:00

Review by Andy Kellman @ allmusic.com Natalie Cole's second album for Verve, released four years after Ask a Woman Who Knows, is also based around covers. This time out, she fixes her gaze on more modern material and is joined by producer Dallas Austin. Backed by a band anchored by Austin (who drums throughout), longtime Austin associate Tony Reyes (bass, guitar), and Marvin "Chanz"

riefky w. el huraibinoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-72188754366822675692007-06-08T17:26:00.000+07:002007-06-08T17:37:44.942+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Actually, the title of the Goo Goo Dolls' eighth album can be taken somewhat literally: Let Love In is a welcoming collection of songs that eschews some of the darker currents roiling under the surface of their previous effort, 2002's Gutterflower. Not that Gutterflower sounded bleak -- it was clean and glossy, so much so that it would be

riefky w. el huraibinoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-54622101047052377072007-06-08T17:25:00.000+07:002007-06-08T17:26:11.512+07:00

Sorry, No review available.. Track Lists 01. Lady Lazy 02. Be Alive 03. One Sound Bite To React 04. Fatherfuckers 05. Never Change 06. Beds Are Burning 07. Salvation 08. Joke 09. Be My Guest 10. Lock Up 11. She Drives Me Crazy 12. Let's Roll

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Review by Ned Raggett @ allmusic.com Though the cover art and photos suggests more of a late-'60s fetish, what the Lovemakers are after is from a different decade: the '80s. Wearing influences unabashedly on their sleeve from acts like the Human League, Alphaville, and the Cure, among many others, the San Francisco trio's major label debut, reworking a couple of songs from their

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Review by Stephen Thomas Erlewine @ allmusic.com The Dave Matthews Band made their reputation through touring, spending endless nights on the road improvising. Often, their records hinted at the eclecticism and adventure inherent in those improvisation, but Before These Crowded Streets is the first album to fully capture that adventurous spirit. Not coincidentally, it's their least

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Review by MacKenzie Wilson @ allmusic.com Before issuing their debut, The Back Room, in August 2005, Editors was immediately compared to the dark, brooding sounds of Interpol as well as the post-punk brashness of Echo & the Bunnymen. Singles such as "Blood" and "Bullets" quickly put Editors in the elite crowd of those to watch that year. The band -- Tom Smith (vocals/guitar), Chris

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